Travel to a Fantastical and Wordy World through The Phantom Tollbooth


        Who doesn’t like an adventure? One filled with strange creatures with crazy ideas of how the world works, who challenge and push a book’s hero to do and be more than he or she thought possible?

Juster’s The Phantom Tollbooth delivers just such an adventure with Milo, a little boy who starts the book with intense ennui about life. Enter a tollbooth that mysteriously appears at his home. Once on his way through the booth via a toy electric car, Milo’s city apartment turns into a wickedly thrilling world with locations like Expectations, Dictionopolis, and Digitopolis. In each location, Juster entices the reader with word play; when Milo is imprisoned, he is told his cell-mate will be a witch, but it turns out to be a Which who has historically been in charge of which words should be used in the book’s Kingdom of Wisdom.

As Milo moves forward, he finds a mission, to find two princesses, Rhyme and Reason, who were banished to the Castle in the Air after they declared that letters and numbers had equal import. He also finds friendship and camaraderie with the locals he finds along the way: the watchdog Tock (so named because he is part-dog, part-watch), and Humbug.

The Phantom Tollbooth demands the reader forego reality and give in to its fantastical world with its own logic. It also grounds us in things familiar, such as friendship and the power it has to make challenges doable and a lot more fun. Published in 1961, the book does show its age by lack of a strong female character. I was dying for a Hermione Granger to appear, but she never did.

By book’s end, Milo has been called upon to think about words and numbers in new ways, which turns him from a bored little boy into one excited to learn and think differently. Hopefully it does the same for a reader.

         (Many thanks to Caitlin Swofford for recommending The Phantom Tollbooth. I’d missed it as a child but am glad I didn’t miss it as an adult.)

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