A Fierce Heroine in Jane Steele
If the headstrong and
self-determined character Jane Eyre was ahead of her time in the late 18th/early
19th century world she inhabited, it’s hard to imagine that Ms. Eyre
would have been anything but blown away by the forthrightness and independence
of Lyndsay Faye’s Jane Steele.
Jane
Steele is not a reimagining of a classic, such as Bridget Jones’s Diary was
for Pride and Prejudice, or a genre mashup like Pride and Prejudice and Zombies. Instead, Faye sets Steele in a similar time period and
gives Jane Steele a lot more tools in her toolbox than Jane Eyre had, including combat skills for offing the men who try to do her wrong.
We first see Jane Steele stuck
under the thumb of her Aunt Patience, who sends her to a boarding school. There
Jane commits a second murder of the headmaster who gave her the choice of
watching her friend starve or being sent to an insane asylum. Her first murder,
if you can call it that since the death occurred while Jane sought to protect
herself, was of her cousin who tries to rape her. Faye does a nice job of
portraying Jane’s feelings about these murders with ample regret but also
awareness that the men, and the society around them, left her little choice.
Eventually Jane returns to her now-deceased
Aunt’s estate, taken over by a mysterious Charles Thornfield. Posing as a
governess to Thornfield’s ward, Jane becomes an equal partner to Thornfield as
they uncover and ultimately foil a plot to bring Thornfield and his household
to ruin. Thornfield is willing to provide, and Jane is quite capable in the weapons
training Thornfield offers, which only makes Jane a greater force.
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